PG’s bass ebook gives you 8 hacks, DIY projects, and insights for those ready to rumble.
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The vaunted annual Pedal Issue returns! This year it sports an amazing cover by noted French illustrator/guitarist/stompbox-junkie McBess, as well as 33 guitar- and bass-pedal reviews by our astute team of pedal addicts. But that’s not all—we also take you inside the wacky labs where the folks at Union Tube & Transistor, Chase Bliss Audio, Hungry Robot, Fuzzrocious, Mantic Conceptual, Cusack Music, 3Leaf Audio, and Darkglass zap unicorns with shrink rays to put clangorous tones in little metal boxes. Meanwhile, our artist interviews this month include chats with Rage Against the Machine and Prophets of Rage bassist Tim Commerford, Screaming Females’ Marissa Paternoster and “King” Mike Abbate, jazz maestro Charlie Hunter, possessed Australian bluesman C.W. Stoneking, and Deerhoof’s John Dieterich and Ed Rodríguez. We also visit with the brain trust behind Recovery Unplugged, Jail Guitar Doors, and other rehab centers that have found success using guitar and musical activities to help patients overcome substance addiction. And finally, our latest Forgotten Heroes piece recounts the rich life and legacy of the father of free-jazz guitar, Sonny Sharrock.
To kick off our annual Amp Issue, we’ve enlisted Tim Schroeder of Schroeder Amplification (whose clients include Nels Cline and Jeff Tweedy) to show you crucial things to consider before adding a previously owned amp to your arsenal. We also take you inside Hi-Tone Amplification, a Columbus, Indiana, outfit that’s making painstaking handwired clones of vintage Hiwatt amps with the exclusive endorsement of the family of the legendary U.K. brand’s late founder, Dave Reeves. We also review three new guitar amps—the EVH 5150 III LBX, Supro Black Magick, and Laney GH50R—as well as two powerful new bass rigs, Peavey’s MiniMEGA and Genzler’s Magellan 800. Our artist features this issue include chats with J Mascis and Lou Barlow from Dinosaur Jr., Jamie Hince and Alison Mosshart from bluesy avant-garage duo the Kills, Duke Erikson and Steve Marker of electro-pop outfit Garbage, seminal punk guitarist East Bay Ray of Dead Kennedys, and Jeremy Earl and Jarvis Taveniere from psych-folk band Woods. We’ve even got a lesson from senior editor Andy Ellis on how to adapt to the new techniques, tools, and fingerings needed to make a foray into the high lonesome aural wonderland of lap steel. Our review section is rounded out with looks at the PHred DockStar Flame Maple, Matthews Effects’ Astronomer reverb, Walrus Audio’s Vanguard phaser, the Chase Bliss Spectre flanger, Red Panda’s Bitmap, the Gretsch Streamliner G2622T, Fredric’s Deeply Unpleasant Companion, and the Providence Heat Blaster.
This month our gear reviews include a killer array of acoustic tone toys—from Martin’s D Jr. to the Cole Clark CCFL2EC, Taylor’s 562ce, and parlor flattops from Fender and Ibanez, and DiMarzio’s new Black Angel soundhole pickup—as well as Marshall’s JCM 25/50 2555X Silver Jubilee head, the Ethos Clean-Fusion preamp, L.R. Baggs’ Stadium bass DI, Schroeder Amplification’s SA9+, the Keeley ME-8 Multi-Echo, SolidGoldFX’s Horizon, and Mike Lull’s TXB4 bass. Meanwhile, in our interviews section, famed record producers Zeuss (Rob Zombie, Hatebreed), and Steve Evetts (the Dillinger Escape Plan, Every Time I Die) offer tips and tricks for recording crushing guitar tones, while Paul Gilbert, Nigerian Tuareg guitarist Bombino, Lukas Nelson (country icon Willie Nelson’s son), neo-bluegrass renegade Michael Daves, genre-spanning veteran Gary Lucas, Jeremy Earl and Jarvis Taveniere from folk-rock outfit Woods, and world-music guitar guru Adam Rudolph dissect the songwriting, recording, and gear behind their latest albums.
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