2020 Premier Guitar
$47.88 $9.99
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2016 Digital Issue 03 March
$3.99$0.99Our annual pedalboards of the stars issue gives you an up-close-and-personal look at the coolest stomp stations from Billy Gibbons, Eagles of Death Metal, Slipknot, John Fogerty, Heart, Between the Buried and Me, My Morning Jacket, and Best Coast. We’ve also got a MIDI-guitar primer by Avi Bortnick—who incorporates a laptop into his rig onstage with jazz legend John Scofield—that shows you how to get started with minimal cost and surprising ease. In our interviews section this month we talk to Ben Monder and Tim Lefebvre about the sessions for David Bowie’s farewell masterpiece, as well as speak with Anthrax’s Scott Ian and Jonathan Donais (formerly of Shadows Fall), Gemma Thompson from London-based post-punk outfit Savages, Brad Shultz and Daniel Tichenor from Cage the Elephant, Sun Club’s Mikey Powers and Shane McCord, and Ride’s Andy Bell and Mark Gardener. Gear reviews this month include the Music Man St. Vincent, the PRS SE A15AL Alex Lifeson thinline acoustic, Dr. Z’s Z-Lux, Mesa/Boogie’s Subway D-800 bass head, the Dusky D20 head, ThorpyFx’s Muffroom Cloud, F-Pedal’s Eddie Kramer-designed PhazeVibe Lite, Dr. No’s RoadRunner Octave Fuzz Wah, and more.
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2018 Digital Issue 01 January
$3.99$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”
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2017 Digital Issue 01 January
$3.99$0.99Our cover story this month looks at the intriguing story of how bizarre electric guitars came to be born behind the Iron Curtain despite the Soviet government’s ban on rock ’n’ roll, jazz, and other Western music during the ’60s, ’70s, and ’80s. We also dive deep on gear terminology in a comprehensive shopper’s guide that clarifies nomenclature often found confusing by both newcomers and long-timers alike as they shop for instruments, amps, and effects. Meanwhile, our artist interviews this month include former Sonic Youth frontwoman Kim Gordon, Dillinger Escape Plan’s Ben Weinman, David Crosby, Doyle Bramhall II, and Margaret Glaspy. As for gear reviews, this month we take a look at Fractal Audio’s AX8, the Ernie Ball Caprice 4-string, Boss’ GT-1 multi-effector, the Tsakalis AudioWorks Ocean reverb, MXR’s Shin-Juku Drive, Vick Audio’s Hypocenter Delay, Tech 21’s Bass Fly Rig, the Batson GC22 Americana flattop, the Godin Summit Classic CT Convertible, Hartke’s TX600, Jam Pedals’ Delay Llama Supreme, B.A. Ferguson’s Classic Class Shirley, and Greenchild’s G777.