2020 Premier Guitar
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2017 Digital Issue 10 October
$0.99This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”
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2017 Digital Issue 02 February
$0.99In our cover story this month we talk to Animals as Leaders mastermind Tosin Abasi and his 8-string cohort Javier Reyes about their new album, The Madness of Many. Our other artist interviews include chats with Chrissie Hynde of the Pretenders, Warpaint’s Emily Kokal and Theresa Wayman, Stick Men’s Tony Levin and Markus Reuter, Meshuggah’s Mårten Hagström, Lynyrd Skynyrd cofounder Gary Rossington, and “Godfather of Fusion” Larry Coryell. We’ve also got a bonus lesson on learning to play outside the conventional chord-scale mindset. As for gear coverage, this month we dive deep into the world of bucket-brigade effects of yesterday and today, as well as review Foxpedal’s Defector, the Spector Timbre acoustic 4-string, TC Electronic’s Tailspin, Free the Tone’s Ambi Space, the Eastwood Senn, Sandberg’s Forty Eight bass, the Milkman Pint, MXR’s Echoplex Delay, Collings OM2H T, Dunlop’s CBM105Q Mini Bass Cry Baby, Fender ’57 Custom Pro , Wren and Cuff’s Sonder, Lollar’s P-90 Staple, and the Ernie Ball Ambient Delay.
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2018 Digital Issue 04 April
$0.99Premier Guitar April 2018: This month we take you inside the Winter NAMM show in Anaheim, California—the year’s biggest gear show—to recap the 27 products that wowed us most, from acoustic, electric, and bass guitars to amps and effects. In our artist interviews, we talk to Umphrey’s McGee’s Jake Cinninger and Brendan Bayliss, the Darkness’ Justin and Dan Hawkins, Khruangbin’s Laura Lee and Mark Speer, Converge’s Kurt Ballou, Johnny Hiland, and Jim Campilongo. Meanwhile, our gear reviews include in-depth looks at the Mesa/Boogie Rosette 300 Two:Eight acoustic combo, PureSalem’s Mendiola solidbody, the Yellowcake Lida Machine, Sire’s Marcus Miller P7 bass, Miura Guitars’ M2 compressor/limiter, the Cusack Tap-A-Delay, the Neunaber Iconoclast, Red Hawk Effects’ Raven germanium/silicon Fuzz Face clone, the Mythos Pedals Chupacabra, Todd Sharp’s JOAT 20, the Matthews Effects Chemist, Sublime Guitars’ Chieftain Deluxe, and the Peterson StroboClip HD tuner. We’ve also got tablature transcriptions of three killer tunes (print only): Lynyrd Skynyrd’s “I Know a Little,” James Taylor’s “Fire and Rain,” and Umphrey’s McGee’s “Looks.”