2020 Digital Issue 07 July
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Premier Guitar July 2020: Acoustic tonewoods—and alternatives. Interviews: Willie Nelson, Lamb of God’s Willie Adler, Mark Morton & John Campbell, Kinga Głyk, Jack Broadbent. Reviews: Fender, Martin, JHS, Danelectro & more.
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2017 Digital Issue 04 April
$3.99$0.99This month we take you inside the Winter 2017 NAMM show—the year’s biggest unveiling of new guitar gear—and show you the axes, amps, and stomps that wowed our editors most. On the gear-review front, this month we’ve also got a roundup of six 8″ speakers, and deep-dives on the new Fender Professional Stratocaster, BC Audio’s Octaplex, Martin’s D-16E, the Line 6 Spider V 120, Darkglass’ Microtubes 900 head, Ovation/Applause’s AE44II, the EarthQuaker Devices Space Spiral, NEXI’s ’70s Distortion, G7th’s UltraLight capo, the Crazy Tube Circuits Planet B, MXR’s Phase 95 Mini, the Phil Jones Session 77, and the Positive Grid BIAS Rack. Meanwhile, our feature interviews this month include chats with Ty Segall and Emmett Kelly, De La Tierra’s Andreas Kisser (also of Sepultura), folk legend Michael Chapman, the Lemon Twigs, and blues troubadour Otis Taylor.
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2018 Digital Issue 03 March
$3.99$0.99Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”
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2017 Digital Issue 10 October
$3.99$0.99This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”