2020 Digital Issue 08 August
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Premier Guitar August 2020: When to rescue an old amp. Deap Lips’ Lindsey Troy & Steven Drozd, Orthodox’s Austin Evans, Wolfgang Muthspiel, and Early James. Reviews: Fuchs, Crazy Tubes, Balaguer, Daredevil & more.
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2016 Digital Issue 04 April
$0.99Looking for your next gear fix? Our cover story this month takes you inside the Winter 2016 NAMM show to give you a look at the most intriguing new guitars, basses, amps, effects, and accessories to keep your eyes peeled for at your local shop. Meanwhile, our review lineup assesses 13 new tone toys, including Fender’s Jimi Hendrix Strat, Warwick’s Adam Clayton signature bass, the MXR Carbon Copy Bright, Allen Eden’s 1987 solidbody, the Radial Headload, Ventura Valve Amplifiers’ VVA50, the Echopark F-1 Dual Germanium fuzz, Magnetic Effects White Atom, Bergantino’s B|Amp, and Tyyster’s Pelti 12-string. Our artist features this issue includechats with Stephen Carpenter and Chino Moreno of Deftones, Ben Harper, Wolfmother’s Andrew Stockdale, Lucinda Williams and Bill Frisell, jazz guitarist Liberty Ellman, and John Jorgenson. We’ve also got a roundtable discussion with Parliament-Funkadelic’s George Clinton and guitarists Michael Hampton (aka Kidd Funkadelic), Dewayne “Blackbyrd” McKnight, and Ricky Rouse about the seminal funk outfit’s history and the gear, techniques, and musical approaches on their R&B masterpieces. To top things off, we offer tips and tricks on how to create quality recordings on the go with your phone, tablet, or laptop.
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2018 Digital Issue 03 March
$0.99Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”
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2017 Digital Issue 06 June
$0.99This issue marks our foray into serving up three song transcriptions per issue (print edition only), with this month’s offerings including tablature for Jack White’s “I’m Shakin’,” Brent Mason’s “Hot Wired,” and the Allman Brothers Band’s “Little Martha.” Meanwhile, our cover story this month talks to gruesome shredder extraordinaire John 5 about his latest Fender Custom Shop Telecaster and the making of his new album, Season of the Witch, and other artist features include chats with British songwriting icon Robyn Hitchcock, psych-rock freaks King Gizzard and the Lizard Wizard, and Pallbearer’s Devin Holt and Brett Campbell. On the gear front, we’ve got a how-to on understanding and optimizing expression pedals in your rig, a bass-overdrive review roundup—which includes Tech 21’s SansAmp Bass Driver DI Version 2, Gallien-Krueger’s Plex, the Providence Brick Drive, and Two Notes’ Le Bass—and reviews of Electro-Harmonix’s Blurst, the Cusack Orthrus, TWA’s Hot Saké, Taylor’s Mini-e bass, the Carr Mercury V, Strymon’s Riverside, Mooer’s Ocean Machine, the Breedlove Premier Concerto, the Boss EV-30 expression pedal, Ibanez’s SRH505F bass, Seymour Duncan’s PowerStage 170, and Winfield’s Dust Devil combo.