2022 Digital Issue 04 April
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Premier Guitar April 2022: Slash & Myles Kennedy, Joshua Crumbly, Ben Chasny, Tonstartssbandht, How to Use Reverb Plug-ins. Reviews: Maestro, MXR, PRS, Magnatone, Taylor, Frost Giant, Eventide & More.
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2018 Digital Issue 05 May
$3.99$0.99Premier Guitar May 2018: Our annual DIY issue serves up a massive feature detailing our recommended mods for four famously affordable instruments—three 6-strings and a bass—that serve as excellent platforms for getting a “custom” axe at a price way lower than a luthier-built alternative. Meanwhile, our interview lineup sees us chatting with Aerosmith legend Joe Perry, Bones guitarist (and Jeff Beck collaborator) Carmen Vandenberg, avant-jazz vet Bill Frisell, Corrosion of Conformity’s Pepper Keenan and Woody Weatherman, and acoustic trooper John Prine. Gear reviews this month include comprehensive looks at Dr. Z’s Z-PLUS combo, Tech 21’s GED-2112 Geddy Lee SansAmp, the Pigtronix Mothership 2, Universal Audio’s OX, the Modulus Graphite Funk Unlimited RevOLite 4, Magnetic Effects’ Midphoria, Darkglass Electronics’ Alpha•Omicron, the Koll Super Cub, Massive Effects’ G.O.A.F., Schuyler Dean’s Jazzmaster Gold Foil pickups, the Gamechanger Audio Plus pedal, Subdecay’s Vector, and the Fender CN-60S nylon-string.
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2018 Digital Issue 01 January
$3.99$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”
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2017 Digital Issue 11 November
$3.99$0.99Whether you’re completely turned off by fuzz pedals or just brand-new to and overwhelmed by them, this month’s cover story demystifies this sometimes-confusing stompbox niche and explains how the right fuzz can stoke inspiration in any genre imaginable. On the artist front, we’ve got interviews with Wendy Melvoin (from the late great Prince’s band the Revolution), Metalocalypse mastermind Brendon Small, and bluesman Jonny Lang. We’ve also got a feature offering an insider’s perspective on recording guitar for film and TV soundtracks, as well as a primer on both how to play slide guitar, and the pros and cons of different slide types. Song transcriptions this month (print only) are Pink Floyd’s “Comfortably Numb,” Mastodon’s “Curl of the Burl,” and Fleetwood Mac’s “Oh Well (Part 1).” Meanwhile our gear-review section deep-dives on the Coppersound Foxcatcher, Guitar Pro 7, Outlaw Effects’ Deputy Marshal, Korg’s AW-LT100B bass tuner, the Headrush Pedalboard, Ashdown’s SZ Funk Face, Bigfoot Engineering’s King Fuzz XL, the Boss Acoustic Singer Live combo, the MOD Duo, Pinter’s SB1-J Jazz Jr., Allen Eden’s Disciple 5 bass, and the Keeley Compressor Plus.