2022 Digital Issue 02 February
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Premier Guitar February 2022: How to choose a modeler. Interviews with Santana, Mastodon, Zakk Wylde, Bruce Forman, & more. Reviews: Fender, Dunlop, EHX, Ampeg, Reverend, Boss, Blackstar & Keeley.
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2018 Digital Issue 04 April
$0.99Premier Guitar April 2018: This month we take you inside the Winter NAMM show in Anaheim, California—the year’s biggest gear show—to recap the 27 products that wowed us most, from acoustic, electric, and bass guitars to amps and effects. In our artist interviews, we talk to Umphrey’s McGee’s Jake Cinninger and Brendan Bayliss, the Darkness’ Justin and Dan Hawkins, Khruangbin’s Laura Lee and Mark Speer, Converge’s Kurt Ballou, Johnny Hiland, and Jim Campilongo. Meanwhile, our gear reviews include in-depth looks at the Mesa/Boogie Rosette 300 Two:Eight acoustic combo, PureSalem’s Mendiola solidbody, the Yellowcake Lida Machine, Sire’s Marcus Miller P7 bass, Miura Guitars’ M2 compressor/limiter, the Cusack Tap-A-Delay, the Neunaber Iconoclast, Red Hawk Effects’ Raven germanium/silicon Fuzz Face clone, the Mythos Pedals Chupacabra, Todd Sharp’s JOAT 20, the Matthews Effects Chemist, Sublime Guitars’ Chieftain Deluxe, and the Peterson StroboClip HD tuner. We’ve also got tablature transcriptions of three killer tunes (print only): Lynyrd Skynyrd’s “I Know a Little,” James Taylor’s “Fire and Rain,” and Umphrey’s McGee’s “Looks.”
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2017 Digital Issue 02 February
$0.99In our cover story this month we talk to Animals as Leaders mastermind Tosin Abasi and his 8-string cohort Javier Reyes about their new album, The Madness of Many. Our other artist interviews include chats with Chrissie Hynde of the Pretenders, Warpaint’s Emily Kokal and Theresa Wayman, Stick Men’s Tony Levin and Markus Reuter, Meshuggah’s Mårten Hagström, Lynyrd Skynyrd cofounder Gary Rossington, and “Godfather of Fusion” Larry Coryell. We’ve also got a bonus lesson on learning to play outside the conventional chord-scale mindset. As for gear coverage, this month we dive deep into the world of bucket-brigade effects of yesterday and today, as well as review Foxpedal’s Defector, the Spector Timbre acoustic 4-string, TC Electronic’s Tailspin, Free the Tone’s Ambi Space, the Eastwood Senn, Sandberg’s Forty Eight bass, the Milkman Pint, MXR’s Echoplex Delay, Collings OM2H T, Dunlop’s CBM105Q Mini Bass Cry Baby, Fender ’57 Custom Pro , Wren and Cuff’s Sonder, Lollar’s P-90 Staple, and the Ernie Ball Ambient Delay.
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2018 Digital Issue 01 January
$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”