2021 Digital Issue 03 March
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Premier Guitar March 2021: Pro Pedalboards from Opeth, Brendan Benson, Butch Walker, Suzanne Santo, Ally Venable, Caspian, Nick Perri & Mt. Joy. Reviews: Fender, Boss, Eventide, Bose, Taylor & EHX.
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2017 Digital Issue 07 July
$3.99$0.99In addition to our usual crazily diverse lineup of gear reviews and artist interviews, this month we’ve got an array of acoustic-oriented coverage—from a roundup of three unique flattops from Art & Lutherie, Guild, and Cort, to a review of the new AER Compact 60/3 TE, an interview with singer-songwriter Ani DiFranco, and profiles of luthiers Dana Bourgeois, Kathy Wingert, Fylde Guitars’ Roger Bucknall, Kevin Ryan, and Isaac Jang. We also interview Juan Alderete and suGar Yoshinaga from Halo Orbit, Body Count’s Ernie C and Juan Garcia, Warren Haynes, and Rhys Chatham. In the print edition, song transcriptions this month are Muse’s “Psycho,” Chris Stapleton’s “Parachute,” and Dropkick Murphys’ “I’m Shipping up to Boston.” Meanwhile, the rest of the review section includes close-looks at the Way Huge Russian Pickle, Rainger FX’s Dr. Freakenstein Dwarf Bass, the GFI Specular Reverb, Greg Howe’s Lick Box from Carl Martin, the Prestige NYS Deluxe MC, Doug Kauer’s Titan KR1, the Fuchs ODS Classic, Stomp Audio Labs’ Octopus, the Fender American Professional Jazz bass, and Trace Elliot’s ELF bass head.
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2018 Digital Issue 04 April
$3.99$0.99Premier Guitar April 2018: This month we take you inside the Winter NAMM show in Anaheim, California—the year’s biggest gear show—to recap the 27 products that wowed us most, from acoustic, electric, and bass guitars to amps and effects. In our artist interviews, we talk to Umphrey’s McGee’s Jake Cinninger and Brendan Bayliss, the Darkness’ Justin and Dan Hawkins, Khruangbin’s Laura Lee and Mark Speer, Converge’s Kurt Ballou, Johnny Hiland, and Jim Campilongo. Meanwhile, our gear reviews include in-depth looks at the Mesa/Boogie Rosette 300 Two:Eight acoustic combo, PureSalem’s Mendiola solidbody, the Yellowcake Lida Machine, Sire’s Marcus Miller P7 bass, Miura Guitars’ M2 compressor/limiter, the Cusack Tap-A-Delay, the Neunaber Iconoclast, Red Hawk Effects’ Raven germanium/silicon Fuzz Face clone, the Mythos Pedals Chupacabra, Todd Sharp’s JOAT 20, the Matthews Effects Chemist, Sublime Guitars’ Chieftain Deluxe, and the Peterson StroboClip HD tuner. We’ve also got tablature transcriptions of three killer tunes (print only): Lynyrd Skynyrd’s “I Know a Little,” James Taylor’s “Fire and Rain,” and Umphrey’s McGee’s “Looks.”
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2017 Digital Issue 11 November
$3.99$0.99Whether you’re completely turned off by fuzz pedals or just brand-new to and overwhelmed by them, this month’s cover story demystifies this sometimes-confusing stompbox niche and explains how the right fuzz can stoke inspiration in any genre imaginable. On the artist front, we’ve got interviews with Wendy Melvoin (from the late great Prince’s band the Revolution), Metalocalypse mastermind Brendon Small, and bluesman Jonny Lang. We’ve also got a feature offering an insider’s perspective on recording guitar for film and TV soundtracks, as well as a primer on both how to play slide guitar, and the pros and cons of different slide types. Song transcriptions this month (print only) are Pink Floyd’s “Comfortably Numb,” Mastodon’s “Curl of the Burl,” and Fleetwood Mac’s “Oh Well (Part 1).” Meanwhile our gear-review section deep-dives on the Coppersound Foxcatcher, Guitar Pro 7, Outlaw Effects’ Deputy Marshal, Korg’s AW-LT100B bass tuner, the Headrush Pedalboard, Ashdown’s SZ Funk Face, Bigfoot Engineering’s King Fuzz XL, the Boss Acoustic Singer Live combo, the MOD Duo, Pinter’s SB1-J Jazz Jr., Allen Eden’s Disciple 5 bass, and the Keeley Compressor Plus.