2021 Digital Issue 01 January

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  2018 Digital Issue 02 February

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  Premier Guitar February 2018: Our cover story this month tackles the gargantuan task of highlighting the guitars, amps, and effects—and associated players—that epitomize the movements in rock ’n’ roll during each decade, going back to its birth in the 1950s. New artist interviews include chats with Joe Satriani, Dhani Harrison, Chelsea Wolfe, Bruce Cockburn, Victor Wooten, and Pat Martino. We also take a look at what everyday guitarists and bassists can do to be more mindful of the environment in their day-to-day habits as players. Gear reviews this issue include the Epiphone Les Paul SL, MXR’s Booster Mini, Epigaze Audio’s Civic Crown, the SoundBrut DrVa, Vox’s Adio Air BS, the Catalinbread Belle Epoch Deluxe, Warwick’s RockBass Corvette Basic 8, EarthQuaker Devices’ Data Corrupter, Martin’s 2017 D-28, the Boss MD-500, G&L’s Doheny, the API TranZformer LX, and ValveTrain’s Thunder/Train. We’ve also got three song tabs (print edition only): Maren Morris & Vince Gill’s “Dear Hate,” Mahavishnu Orchestra’s “Birds of Fire,” and Stevie Wonder’s “Superstition.”

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  2017 Digital Issue 07 July

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  In addition to our usual crazily diverse lineup of gear reviews and artist interviews, this month we’ve got an array of acoustic-oriented coverage—from a roundup of three unique flattops from Art & Lutherie, Guild, and Cort, to a review of the new AER Compact 60/3 TE, an interview with singer-songwriter Ani DiFranco, and profiles of luthiers Dana Bourgeois, Kathy Wingert, Fylde Guitars’ Roger Bucknall, Kevin Ryan, and Isaac Jang. We also interview Juan Alderete and suGar Yoshinaga from Halo Orbit, Body Count’s Ernie C and Juan Garcia, Warren Haynes, and Rhys Chatham. In the print edition, song transcriptions this month are Muse’s “Psycho,” Chris Stapleton’s “Parachute,” and Dropkick Murphys’ “I’m Shipping up to Boston.” Meanwhile, the rest of the review section includes close-looks at the Way Huge Russian Pickle, Rainger FX’s Dr. Freakenstein Dwarf Bass, the GFI Specular Reverb, Greg Howe’s Lick Box from Carl Martin, the Prestige NYS Deluxe MC, Doug Kauer’s Titan KR1, the Fuchs ODS Classic, Stomp Audio Labs’ Octopus, the Fender American Professional Jazz bass, and Trace Elliot’s ELF bass head.

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  2018 Digital Issue 03 March

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  Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”