2020 Digital Issue 05 May
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Premier Guitar May 2020: Three bold projects for DIY-ers tired of the tame. Interviews: Anna Calvi, Eric Johnson, Kvelertak’s Vidar Landa and Maciek Ofsad, and Jeff Parker. Gear reviews: Original Klon vs. five clones, plus gear from ThorpyFX, Morley, Orange, Abernethy, and Dunable.
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2017 Digital Issue 01 January
$3.99$0.99Our cover story this month looks at the intriguing story of how bizarre electric guitars came to be born behind the Iron Curtain despite the Soviet government’s ban on rock ’n’ roll, jazz, and other Western music during the ’60s, ’70s, and ’80s. We also dive deep on gear terminology in a comprehensive shopper’s guide that clarifies nomenclature often found confusing by both newcomers and long-timers alike as they shop for instruments, amps, and effects. Meanwhile, our artist interviews this month include former Sonic Youth frontwoman Kim Gordon, Dillinger Escape Plan’s Ben Weinman, David Crosby, Doyle Bramhall II, and Margaret Glaspy. As for gear reviews, this month we take a look at Fractal Audio’s AX8, the Ernie Ball Caprice 4-string, Boss’ GT-1 multi-effector, the Tsakalis AudioWorks Ocean reverb, MXR’s Shin-Juku Drive, Vick Audio’s Hypocenter Delay, Tech 21’s Bass Fly Rig, the Batson GC22 Americana flattop, the Godin Summit Classic CT Convertible, Hartke’s TX600, Jam Pedals’ Delay Llama Supreme, B.A. Ferguson’s Classic Class Shirley, and Greenchild’s G777.
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2017 Digital Issue 03 March
$3.99$0.99This year’s annual Pro Pedalboards issue features up-close-and-personal picks of the stomp stations used by Chris Robinson and Neal Casal, Prophets of Rage and RATM bassist Tim Commerford, Band of Skulls’ Emma Richardson and Russell Marsden, Teppei Teranishi and Dustin Kensrue of Thrice, Modest Mouse’s Jim Fairchild, Brad Whitford, Bloc Party’s Russell Lissack and Justin Harris, and Red Hot Chili Peppers’ Flea and Josh Klinghoffer. (We also spotlight a handful of sweet-looking reader boards!) At the other end of the signal chain, we’ve got an insightful feature on the far-reaching history of the plectrum. Meanwhile, our artist interviews section this month includes chats with Kristin Hersh (of Throwing Muses and 50FootWave), Dean Ween, Harvey Mandel, Luke Temple, AZIZA’s Dave Holland and Lionel Loueke, and Oozing Wound’s Zack Weil and Kevin Cribbin. Our gear-review section includes in-depth looks at IK Multimedia’s Fender Collection 2, Rock Stock’s Skyline Reverb, the BAE Hot Fuzz, Amptweaker’s Bass TightMetal Jr., the Paul Reed Smith Sonzera 50 combo, Supro’s Westbury, G&L’s Kiloton 4-string, the DigiTech Whammy Ricochet, Bullhead Amplification’s Matador half-stack, Joe Gore’s Gross, the Epifani Piccolo 999, Daredevil Pedals’ Red Light District, and D’Angelico’s Premier SS.
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2017 Digital Issue 10 October
$3.99$0.99This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”