2020 Digital Issue 04 April
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Premier Guitar April 2020: Editors’ Picks from Winter NAMM. Interviews with Bumblefoot and Billy Sheehan, Nili Brosh, Drive By Truckers, and Alcest. 12 guitar and bass reviews: Strymon, G&L, Danelectro, EHX, G-K, J. Rockett, Ernie Ball, Fender, Wampler, Vertex, Victory, and Breedlove.
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2016 Digital Issue 03 March
$0.99Our annual pedalboards of the stars issue gives you an up-close-and-personal look at the coolest stomp stations from Billy Gibbons, Eagles of Death Metal, Slipknot, John Fogerty, Heart, Between the Buried and Me, My Morning Jacket, and Best Coast. We’ve also got a MIDI-guitar primer by Avi Bortnick—who incorporates a laptop into his rig onstage with jazz legend John Scofield—that shows you how to get started with minimal cost and surprising ease. In our interviews section this month we talk to Ben Monder and Tim Lefebvre about the sessions for David Bowie’s farewell masterpiece, as well as speak with Anthrax’s Scott Ian and Jonathan Donais (formerly of Shadows Fall), Gemma Thompson from London-based post-punk outfit Savages, Brad Shultz and Daniel Tichenor from Cage the Elephant, Sun Club’s Mikey Powers and Shane McCord, and Ride’s Andy Bell and Mark Gardener. Gear reviews this month include the Music Man St. Vincent, the PRS SE A15AL Alex Lifeson thinline acoustic, Dr. Z’s Z-Lux, Mesa/Boogie’s Subway D-800 bass head, the Dusky D20 head, ThorpyFx’s Muffroom Cloud, F-Pedal’s Eddie Kramer-designed PhazeVibe Lite, Dr. No’s RoadRunner Octave Fuzz Wah, and more.
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2017 Digital Issue 08 August
$0.99This time around our annual Amp Issue is yet again packed with speaker-pumping coolness, including a cover story on seven amazing off-the-beaten-path vintage amps, six amp reviews—Vox’s MV50 AC, Hughes and Kettner’s Grandmeister Deluxe 40, the Hilbish Design Beta, and Black Wing’s Screamin’ Eagle 50, as well as Traynor’s SB106 bass combo and Glockenklang’s bass head—plus a feature all about speaker basics, and a DIY project on building your own rotary-speaker cab. Artist interviews this month include chats with Deep Purple’s Steve Morse, one-woman band Tash Sultana, legendary bassist/producer Bill Laswell, Havok’s David Sanchez and Reece Scruggs, and Franklin James Fisher and Lee Tesche from punk-gospel outfit Algiers. Meanwhile, in the print edition, we’ve got song tabs for Soundgarden’s “Rusty Cage,” Tom Petty’s “I Won’t Back Down,” and Bob Marley’s “Redemption Song.” The rest of our gear-review section is rounded out by deep-dives on Trace-Elliot’s Transit-A acoustic multi-effector, Curtis Novak’s JM-WR Jazzmaster Widerange pickups, the Dunable Cyclops solidbody, Death by Audio’s Evil Filter, the Martin O-18, Electro-Harmonix’s Bass Clone, Newman Guitars’ 6-String, and Mu-FX’s Phasor 2X.
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2018 Digital Issue 03 March
$0.99Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”