2019 Premier Guitar
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2016 Digital Issue 04 April
$3.99$0.99Looking for your next gear fix? Our cover story this month takes you inside the Winter 2016 NAMM show to give you a look at the most intriguing new guitars, basses, amps, effects, and accessories to keep your eyes peeled for at your local shop. Meanwhile, our review lineup assesses 13 new tone toys, including Fender’s Jimi Hendrix Strat, Warwick’s Adam Clayton signature bass, the MXR Carbon Copy Bright, Allen Eden’s 1987 solidbody, the Radial Headload, Ventura Valve Amplifiers’ VVA50, the Echopark F-1 Dual Germanium fuzz, Magnetic Effects White Atom, Bergantino’s B|Amp, and Tyyster’s Pelti 12-string. Our artist features this issue includechats with Stephen Carpenter and Chino Moreno of Deftones, Ben Harper, Wolfmother’s Andrew Stockdale, Lucinda Williams and Bill Frisell, jazz guitarist Liberty Ellman, and John Jorgenson. We’ve also got a roundtable discussion with Parliament-Funkadelic’s George Clinton and guitarists Michael Hampton (aka Kidd Funkadelic), Dewayne “Blackbyrd” McKnight, and Ricky Rouse about the seminal funk outfit’s history and the gear, techniques, and musical approaches on their R&B masterpieces. To top things off, we offer tips and tricks on how to create quality recordings on the go with your phone, tablet, or laptop.
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2017 Digital Issue 06 June
$3.99$0.99This issue marks our foray into serving up three song transcriptions per issue (print edition only), with this month’s offerings including tablature for Jack White’s “I’m Shakin’,” Brent Mason’s “Hot Wired,” and the Allman Brothers Band’s “Little Martha.” Meanwhile, our cover story this month talks to gruesome shredder extraordinaire John 5 about his latest Fender Custom Shop Telecaster and the making of his new album, Season of the Witch, and other artist features include chats with British songwriting icon Robyn Hitchcock, psych-rock freaks King Gizzard and the Lizard Wizard, and Pallbearer’s Devin Holt and Brett Campbell. On the gear front, we’ve got a how-to on understanding and optimizing expression pedals in your rig, a bass-overdrive review roundup—which includes Tech 21’s SansAmp Bass Driver DI Version 2, Gallien-Krueger’s Plex, the Providence Brick Drive, and Two Notes’ Le Bass—and reviews of Electro-Harmonix’s Blurst, the Cusack Orthrus, TWA’s Hot Saké, Taylor’s Mini-e bass, the Carr Mercury V, Strymon’s Riverside, Mooer’s Ocean Machine, the Breedlove Premier Concerto, the Boss EV-30 expression pedal, Ibanez’s SRH505F bass, Seymour Duncan’s PowerStage 170, and Winfield’s Dust Devil combo.
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2017 Digital Issue 07 July
$3.99$0.99In addition to our usual crazily diverse lineup of gear reviews and artist interviews, this month we’ve got an array of acoustic-oriented coverage—from a roundup of three unique flattops from Art & Lutherie, Guild, and Cort, to a review of the new AER Compact 60/3 TE, an interview with singer-songwriter Ani DiFranco, and profiles of luthiers Dana Bourgeois, Kathy Wingert, Fylde Guitars’ Roger Bucknall, Kevin Ryan, and Isaac Jang. We also interview Juan Alderete and suGar Yoshinaga from Halo Orbit, Body Count’s Ernie C and Juan Garcia, Warren Haynes, and Rhys Chatham. In the print edition, song transcriptions this month are Muse’s “Psycho,” Chris Stapleton’s “Parachute,” and Dropkick Murphys’ “I’m Shipping up to Boston.” Meanwhile, the rest of the review section includes close-looks at the Way Huge Russian Pickle, Rainger FX’s Dr. Freakenstein Dwarf Bass, the GFI Specular Reverb, Greg Howe’s Lick Box from Carl Martin, the Prestige NYS Deluxe MC, Doug Kauer’s Titan KR1, the Fuchs ODS Classic, Stomp Audio Labs’ Octopus, the Fender American Professional Jazz bass, and Trace Elliot’s ELF bass head.