2016 Premier Guitar
$9.99
Related products
-
Sale
2017 Digital Issue 10 October
$0.99This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”
-
Sale
2018 Digital Issue 05 May
$0.99Premier Guitar May 2018: Our annual DIY issue serves up a massive feature detailing our recommended mods for four famously affordable instruments—three 6-strings and a bass—that serve as excellent platforms for getting a “custom” axe at a price way lower than a luthier-built alternative. Meanwhile, our interview lineup sees us chatting with Aerosmith legend Joe Perry, Bones guitarist (and Jeff Beck collaborator) Carmen Vandenberg, avant-jazz vet Bill Frisell, Corrosion of Conformity’s Pepper Keenan and Woody Weatherman, and acoustic trooper John Prine. Gear reviews this month include comprehensive looks at Dr. Z’s Z-PLUS combo, Tech 21’s GED-2112 Geddy Lee SansAmp, the Pigtronix Mothership 2, Universal Audio’s OX, the Modulus Graphite Funk Unlimited RevOLite 4, Magnetic Effects’ Midphoria, Darkglass Electronics’ Alpha•Omicron, the Koll Super Cub, Massive Effects’ G.O.A.F., Schuyler Dean’s Jazzmaster Gold Foil pickups, the Gamechanger Audio Plus pedal, Subdecay’s Vector, and the Fender CN-60S nylon-string.
-
Sale
2017 Digital Issue 12 December
$0.99Longtime readers know that at the end of each year we highlight the gear that blew our minds over the last 12 months—stuff that wowed us so much in terms of tone, flexibility, build/design, and value that it earned a minimum of 18 out of 20 possible “picks” in our ratings categories. This issue is no different, with our cover story celebrating the tonal ecstasies of 72 guitars, basses, amps, effects, and accessories. On the artist front, this issue we talk to Tetrarch shredder Diamond Rowe, Death from Above bassist Jesse Keeler, Thee Oh Sees’ John Dwyer, and slide genius Jerry Douglas. We also have tablature song transcriptions (print only) for Red Hot Chili Peppers’ “Dark Necessities,” Iron Maiden’s “Wasted Years,” and the Black Crowes’ “Twice as Hard.” Our gear reviews this month include Fender’s ’64 Custom Deluxe Reverb, the Hughes & Kettner Era 1, Radial Engineering’s Texas Pro, the SviSound Techno-FA phaser, Hahn’s 112 solidbody, the Vertex Steel String, Yamaha’s BBP34, Stomp Under Foot’s Alabaster, Jackson Audio’s Prism, the Island Anzol, the Boss GT-1B, and Walrus Audio’s ARP-87.