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Single Note Permutations is a step towards developing fluent technique for combining pick and fingers. Here you’ll find more than 1,400 different exercises based entirely on permutations. You should condition your fingers to respond to the intuitive part of your brain when you are playing, not just what they can do by themselves.
If you want to get inspired, be original, and get away from your own clichés, this book is for you.
Guitarist, composer, recording artist, educator, and author Gustavo Assis-Brasil presents his third book about hybrid-picking technique. Recommended for intermediate to advanced guitarists, Hybrid Picking Lines & Licks is a collection of 284 modern phrases exclusively written for the pick and fingers combined.
Chapters include: Triads, Arpeggios, Pentatonics, Scales and Modes, Atonal, Intervallic, and Octave Displacement Lines and Licks.
“Welcome to a very splendid new book on hybrid picking! Essentially this is the “Swiss army knife” approach to picking technique, combining the advantages of fingerstyle and “regular” picking to facilitate all sorts of crazy stuff (wide interval leaps, open chord voicings, polyphony, you name it…) which would otherwise be unplayable. Hybrid Picking Lines & Licks For Guitar offers an abundance of new ideas for your delectation… Perhaps the coolest thing about the examples in here is that they’re not just technical exercises: the actual notes are interesting, too, so your fretting hand and musical ear are just as likely to benefit as your hybrid picking technique itself. I’m confident that any guitar player, regardless of his/her style and technique, will find something challenging and inspiring in the following pages. Nice one, Gustavo!” – Guthrie Govan
“Since working out of Gustavo Assis-Brasil’s Hybrid Picking books I’ve definitely been graced with new and creative approaches to the guitar. I’ve always been a fan of wide intervallic lines, as well as voice leading, and hybrid picking seems to be the perfect technique encompassing both those things and more. I’ve literally been inspired to write new music directly after spending a little time with his books daily. Getting the Lines & Licks book pushed things even further as far as creative lines are concerned. Having use of my other fingers while still holding the pick is an ingenious way to approach the guitar!” – Tosin Abasi (Animals as Leaders)
The original best seller! A complete method for combining pick and fingers.
“With Hybrid Picking For Guitar, Gustavo Assis-Brasil has created a hugely valuable resource, in terms of expanding both one’s technique and vocabulary. Also, the studies at the end of the book are beautiful pieces in their own right. I highly recommend it.” –Ben Monder
“Gustavo’s book is probably the most comprehensive study of hybrid picking I’ve seen. I highly recommend it to anyone interested in this technique.”–Brett Garsed
Learn how to solo like the masters!
The ultimate practice book for serious jazz guitarists!
The Cellular Approach is a practical method for developing the ability to create convincing jazz solos in a wide variety of playing situations.
It takes actual jazz lines recorded by master players and then slices them up into small “cells” that can be re-combined into longer lines to fit almost any harmonic situation.
This enables the player to improvise his or her own lines that sound just as interesting and melodic as the masters without resorting to simply copying others. Fingerings and string choices are often given too, making it particularly valuable to guitarists who want to actually master their instrument.
Some of the harmonic situations dealt with include:
- Fast-moving cycles such as the bridge of “Jordu.”
- Chromatic II-V changes.
- Turnarounds, including many that are useful for dealing with “rhythm changes.”
- Jimmy Heath’s “C.T.A.” changes.
- John Coltrane’s “Giant Steps” changes.
- In addition, slower moving II-Vs are covered, using various strategies for stringing together the short cells into long flowing lines.
- 189 pages!
There is a complete discussion of how to break out of diatonic-derived lines by using the cellular approach to create “side-slipping” and other intervallic lines — creating ultra-hip solo phrases in the style of modern masters such as Pat Metheny, Michael Brecker, and Herbie Hancock.
Finally, the cell concept gets transcended as twelve-tone rows in the style of Mike Stern and others are explored, as well as lines derived from “23rd chords” for adventurous players that are interested in paving a way into the future.
The ultimate jazz guitar reference book!
The book contains detailed explanations and exercises on virtually everything a guitarist needs to start playing jazz with others:
- Learn many categories of chord voicings.
- Develop comping tips and understand how to play in a rhythm section.
- In-depth scale and chord construction.
- Read charts for classic jazz tunes.
- Understand how to develop solo chops by using riffs and familiar melodies.
- Work on ways to approach practicing jazz.
- Improve your right-hand picking techniques.
- Gain knowledge of overall jazz theory …and much more!
Premier Guitar March 2019: Stompbox junkies going into withdrawal since last year’s Pedal Issue should feel significantly sated this month, as we’ve both rounded up 16 pro pedalboards from across the stylistic spectrum that wowed us during our last year of Rig Rundowns, and collected photos and specs on 13 impressive boards from PG fans. In addition, our features section has talks with Jeff Tweedy and Hate Eternal’s Erik Rutan, as well as a profile of the late Stooges guitarist Ron Asheton. Meanwhile, our gear-review section takes in-depth looks at Bogner’s Ecstasy Blue Mini, Rocket Surgeon’s Codename: Black Hat, the Ashdown Tone Pocket, Way Huge’s Purple Platypus, the Heritage H-137SC, Third Man & Mantic’s Flex, the Balthazar Film Noir 50, Peavey’s MAX 150, the Takamine EF360SC TT, Damnation Audio’s Ugly Twin, Hughes & Kettner’s Black Spirit 200, the Komet K.O.D.A., and Trickfish’s Trilobite. Lastly, in the print edition (only), we have tablature transcriptions of Billy Idol’s “Rebel Yell,” Lamb of God’s “Redneck,” and the Hellecasters’ “The Claw.”
Premier Guitar February 2019: Our cover story this month takes a look at the fascinating journey of Ergon Guitars’ luthier Adriano Sergio from being a kid obsessed with woodworking to being an in-demand bassist, then a Navy SEAL, then touring road tech for metal giants, and, finally, to luthier of exquisite handmade instruments. Artist interviews this month include Muse’s Matt Bellamy, Richard Lloyd, John Butler, and Jack Pearson. Meanwhile, our gear-reviews section is packed with in-depth looks at the Electro-Harmonix Triangle Big Muff, Asher’s Hawaiian Junior Lap Steel, SoloDallas’ TSR4 Schaffer Replica Classic, the Zorg Small Basstar, Caparison’s Horus-M3 CC Courtney Cox signature model, BC Audio’s Bel Air 40, the Korora Audio Spira, ESP’s LTD GB-4 bass, Death By Audio’s Total Sonic Annihilation 2, the Breedlove Pursuit Concertina E, Dusky’s Hypatia, the Zeppelin Design Labs Quaverato, and Free the Tone’s Black Vehicle BV-1V. In the print issue (only), we also have tablature transcriptions of three tunes: Queen’s “Keep Yourself Alive (Live),” Lenny Breau’s arrangement of “Cannonball Rag,” and Coheed and Cambria’s “Here We Are Juggernaut.”
Premier GuitarJanuary 2019: Our cover story this issue is an interview with Adam “Nergal” Darski, frontman for influential extreme-metal outfit Behemoth, whose new albumI Loved You at Your Darkestis making waves for building on the band’s legacy of brutal music while also bucking trends held perhaps a bit too dear by the genre’s more hardcore adherents. In addition, we’ve also got in-depth talks with heavy-hitters such as Chan Marshall (aka Cat Power), MC5 legend Wayne Kramer, Slash and Myles Kennedy, and Larkin Poe’s Megan and Rebecca Lovell. On the gear front, we’ve got an in-depth look at the history of the mighty Tone Bender fuzz, as well as 13 guitar and bass reviews: Seymour Duncan’s Fooz Analog Fuzz Synth, MXR’s 5150 Chorus, the Carr Telstar, the Squier Contemporary Jazz HH, Ananashead’s Meteorite, Sadowsky’s MetroExpress, the Boss TU-03, Hotone’s Binary Eko, the Dophix Nettuno, Eastman’s V64 semi-hollowbody, Dunable’s SplatterBlaster, the Tone King Sky King, and the Mattoverse Electronics Inflection Point. In the print edition (only), we’ve also got full transcriptions of The Sword’s “Winter’s Wolves,” Joe Bonamassa’s “Love Is a Gamble,” Tommy Emmanuel’s rendition of “Rudolph the Red-Nosed Reindeer.”