2022 Digital Issue 10 October
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Premier Guitar October 2022: Twenty-four reviews of killer stompboxes from Way Huge, EarthQuaker, Fender, EHX, Boss & more. Artist interviews: Megadeth, Adrian Quesada, Horsegirl, Billy Howerdel, Haunted Shores.
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2016 Digital Issue 05 May
$0.99Twice a year we bring you a slew of guitar-modding projects to sate your DIY appetite. This time around we’ve got an entry-level piece on the dos and don’ts of building a parts guitar, a how-to on optimizing acoustic and electric guitar for lap-slide playing, and experimental builder Yuri Landman’s drone-guitar project for former Sonic Youth axe man Thurston Moore. Plus, we also have our usual gallery of readers’ DIY projects! In our artist section this month we climb aboard the Axes & Anchors rock cruise—which boasts performances by Yngwie Malmsteen, Zakk Wylde, Marty Friedman, Alex Skolnick, Ron “Bumblefoot” Thal, and more—to take you behind the scenes on perhaps the most shredding boat ride ever. We also talk to Adam Hann from up-and-coming British neo-New Wave outfit the 1975, American Primitive acoustic guitarist Glenn Jones, and acclaimed Malian songwriter/guitarist/multi-instrumentalist Rokia Traoré. As for gear, our 13 reviews include two cool new reissues—Hagstrom’s Impala, and the Boss VB-2W Waza Craft Vibrato—T-Rex’s remarkable new Replicator tape delay, Vintage’s Jerry Donahue signature T-style guitar, Blackstar’s Artist 15, the Henriksen Bud amp, Line 6’s Helix multi-effector, and the Eastwood Surfcaster bass. We also take a look at unusual gadgets that really deliver—sometimes even saving the day.
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2017 Digital Issue 07 July
$0.99In addition to our usual crazily diverse lineup of gear reviews and artist interviews, this month we’ve got an array of acoustic-oriented coverage—from a roundup of three unique flattops from Art & Lutherie, Guild, and Cort, to a review of the new AER Compact 60/3 TE, an interview with singer-songwriter Ani DiFranco, and profiles of luthiers Dana Bourgeois, Kathy Wingert, Fylde Guitars’ Roger Bucknall, Kevin Ryan, and Isaac Jang. We also interview Juan Alderete and suGar Yoshinaga from Halo Orbit, Body Count’s Ernie C and Juan Garcia, Warren Haynes, and Rhys Chatham. In the print edition, song transcriptions this month are Muse’s “Psycho,” Chris Stapleton’s “Parachute,” and Dropkick Murphys’ “I’m Shipping up to Boston.” Meanwhile, the rest of the review section includes close-looks at the Way Huge Russian Pickle, Rainger FX’s Dr. Freakenstein Dwarf Bass, the GFI Specular Reverb, Greg Howe’s Lick Box from Carl Martin, the Prestige NYS Deluxe MC, Doug Kauer’s Titan KR1, the Fuchs ODS Classic, Stomp Audio Labs’ Octopus, the Fender American Professional Jazz bass, and Trace Elliot’s ELF bass head.
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2018 Digital Issue 03 March
$0.99Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”