2021 Digital Issue 03 March

Related products

• Sale

  

  Digital Products

  2016 Digital Issue 01 January

  $3.99 $0.99

  Our cover feature this month taps the craniums of some of the most knowledgeable and esteemed pedal builders in the industry to serve up the story and gory visual glory on rare, weird stompboxes that inspired them. For both recording newbies and tracking vets, we survey the market of new and upcoming studio gear that’s specifically well suited to helping guitarists capture stellar audio at a variety of price points—from interfaces to apps, mics, and more. Artist interviews this month include Baroness frontman John Baizley, Dweezil Zappa, Mutoid Man’s Stephen Brodsky, DJ Williams, Caspian’s Philip Jamieson and Calvin Joss. We also take you inside Les Paul’s Big Sound Experience, a travelling exhibit making stops around the country. Gear reviews this month include Reverend’s Descent RA Baritone, the Jackson SLATXMGQ 3-6 Soloist, Faith’s Neptune acoustic, the Nace Amps Pro-18, Analog Outfitters’ Scanner, the Jordan Fuzztite, Fulltone’s 2B, Malekko’s Scrutator, the Demeter Bass 400, the Danelectro Baby Sitar, Wampler’s Low Blow, the Red Witch Zeus, and the Soundtwirl iOS app.

• Sale

  

  Digital Products

  2017 Digital Issue 10 October

  $3.99 $0.99

  This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”

• Sale

  

  Digital Products

  2018 Digital Issue 01 January

  $3.99 $0.99

  Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”