2019 Digital Issue 12 December
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Premier Guitar December 2019: Recap of the year’s 60 Premier Gear Award winners, Killswitch Engage’s Adam Dutkiewicz and Joel Stroetzel, Brittany Howard, Billy Strings, Blackwater Holylight. Reviews: Chase Bliss, Peavey, Godin, Old Blood Noise, and more.
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2018 Digital Issue 01 January
$3.99$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”
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2017 Digital Issue 07 July
$3.99$0.99In addition to our usual crazily diverse lineup of gear reviews and artist interviews, this month we’ve got an array of acoustic-oriented coverage—from a roundup of three unique flattops from Art & Lutherie, Guild, and Cort, to a review of the new AER Compact 60/3 TE, an interview with singer-songwriter Ani DiFranco, and profiles of luthiers Dana Bourgeois, Kathy Wingert, Fylde Guitars’ Roger Bucknall, Kevin Ryan, and Isaac Jang. We also interview Juan Alderete and suGar Yoshinaga from Halo Orbit, Body Count’s Ernie C and Juan Garcia, Warren Haynes, and Rhys Chatham. In the print edition, song transcriptions this month are Muse’s “Psycho,” Chris Stapleton’s “Parachute,” and Dropkick Murphys’ “I’m Shipping up to Boston.” Meanwhile, the rest of the review section includes close-looks at the Way Huge Russian Pickle, Rainger FX’s Dr. Freakenstein Dwarf Bass, the GFI Specular Reverb, Greg Howe’s Lick Box from Carl Martin, the Prestige NYS Deluxe MC, Doug Kauer’s Titan KR1, the Fuchs ODS Classic, Stomp Audio Labs’ Octopus, the Fender American Professional Jazz bass, and Trace Elliot’s ELF bass head.
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2018 Digital Issue 03 March
$3.99$0.99Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”