2019 Digital Issue 08 August
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Premier Guitar August 2019: The Amp Issue! Marshall, Fender, Blackstar, Swart, and Laney reviews (plus PRS, Eventide, Teisco, DryBell, Audient, Rocket Surgeon, and more). Tube-swapping and solid-state-amps features. Interviews: Devin Townsend, “Captain” Kirk Douglas, Jimmie Vaughan, and Doug Wamble.
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2017 Digital Issue 11 November
$3.99$0.99Whether you’re completely turned off by fuzz pedals or just brand-new to and overwhelmed by them, this month’s cover story demystifies this sometimes-confusing stompbox niche and explains how the right fuzz can stoke inspiration in any genre imaginable. On the artist front, we’ve got interviews with Wendy Melvoin (from the late great Prince’s band the Revolution), Metalocalypse mastermind Brendon Small, and bluesman Jonny Lang. We’ve also got a feature offering an insider’s perspective on recording guitar for film and TV soundtracks, as well as a primer on both how to play slide guitar, and the pros and cons of different slide types. Song transcriptions this month (print only) are Pink Floyd’s “Comfortably Numb,” Mastodon’s “Curl of the Burl,” and Fleetwood Mac’s “Oh Well (Part 1).” Meanwhile our gear-review section deep-dives on the Coppersound Foxcatcher, Guitar Pro 7, Outlaw Effects’ Deputy Marshal, Korg’s AW-LT100B bass tuner, the Headrush Pedalboard, Ashdown’s SZ Funk Face, Bigfoot Engineering’s King Fuzz XL, the Boss Acoustic Singer Live combo, the MOD Duo, Pinter’s SB1-J Jazz Jr., Allen Eden’s Disciple 5 bass, and the Keeley Compressor Plus.
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2016 Digital Issue 01 January
$3.99$0.99Our cover feature this month taps the craniums of some of the most knowledgeable and esteemed pedal builders in the industry to serve up the story and gory visual glory on rare, weird stompboxes that inspired them. For both recording newbies and tracking vets, we survey the market of new and upcoming studio gear that’s specifically well suited to helping guitarists capture stellar audio at a variety of price points—from interfaces to apps, mics, and more. Artist interviews this month include Baroness frontman John Baizley, Dweezil Zappa, Mutoid Man’s Stephen Brodsky, DJ Williams, Caspian’s Philip Jamieson and Calvin Joss. We also take you inside Les Paul’s Big Sound Experience, a travelling exhibit making stops around the country. Gear reviews this month include Reverend’s Descent RA Baritone, the Jackson SLATXMGQ 3-6 Soloist, Faith’s Neptune acoustic, the Nace Amps Pro-18, Analog Outfitters’ Scanner, the Jordan Fuzztite, Fulltone’s 2B, Malekko’s Scrutator, the Demeter Bass 400, the Danelectro Baby Sitar, Wampler’s Low Blow, the Red Witch Zeus, and the Soundtwirl iOS app.
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2018 Digital Issue 01 January
$3.99$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”