2019 Digital Issue 08 August
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Premier Guitar August 2019: The Amp Issue! Marshall, Fender, Blackstar, Swart, and Laney reviews (plus PRS, Eventide, Teisco, DryBell, Audient, Rocket Surgeon, and more). Tube-swapping and solid-state-amps features. Interviews: Devin Townsend, “Captain” Kirk Douglas, Jimmie Vaughan, and Doug Wamble.
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2016 Digital Issue 03 March
$3.99$0.99Our annual pedalboards of the stars issue gives you an up-close-and-personal look at the coolest stomp stations from Billy Gibbons, Eagles of Death Metal, Slipknot, John Fogerty, Heart, Between the Buried and Me, My Morning Jacket, and Best Coast. We’ve also got a MIDI-guitar primer by Avi Bortnick—who incorporates a laptop into his rig onstage with jazz legend John Scofield—that shows you how to get started with minimal cost and surprising ease. In our interviews section this month we talk to Ben Monder and Tim Lefebvre about the sessions for David Bowie’s farewell masterpiece, as well as speak with Anthrax’s Scott Ian and Jonathan Donais (formerly of Shadows Fall), Gemma Thompson from London-based post-punk outfit Savages, Brad Shultz and Daniel Tichenor from Cage the Elephant, Sun Club’s Mikey Powers and Shane McCord, and Ride’s Andy Bell and Mark Gardener. Gear reviews this month include the Music Man St. Vincent, the PRS SE A15AL Alex Lifeson thinline acoustic, Dr. Z’s Z-Lux, Mesa/Boogie’s Subway D-800 bass head, the Dusky D20 head, ThorpyFx’s Muffroom Cloud, F-Pedal’s Eddie Kramer-designed PhazeVibe Lite, Dr. No’s RoadRunner Octave Fuzz Wah, and more.
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2017 Digital Issue 10 October
$3.99$0.99This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”
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2018 Digital Issue 01 January
$3.99$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”