2019 Digital Issue 04 April
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Premier Guitar April 2019: NAMM 2019 gear-show recap. Interviews with Sarah Longfield, Steve Gunn and Kurt Vile, Dream Theater’s John Petrucci and John Myung, Charlie Sexton, and Rush’s Geddy Lee. Thirteen gear reviews: Friedman, EHX, One Control, Adventure Audio, MXR, Schecter, IK Multimedia, Source Audio, Fender, Jext Telez, 3 Leaf, and Aguilar.
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2018 Digital Issue 04 April
$3.99$0.99Premier Guitar April 2018: This month we take you inside the Winter NAMM show in Anaheim, California—the year’s biggest gear show—to recap the 27 products that wowed us most, from acoustic, electric, and bass guitars to amps and effects. In our artist interviews, we talk to Umphrey’s McGee’s Jake Cinninger and Brendan Bayliss, the Darkness’ Justin and Dan Hawkins, Khruangbin’s Laura Lee and Mark Speer, Converge’s Kurt Ballou, Johnny Hiland, and Jim Campilongo. Meanwhile, our gear reviews include in-depth looks at the Mesa/Boogie Rosette 300 Two:Eight acoustic combo, PureSalem’s Mendiola solidbody, the Yellowcake Lida Machine, Sire’s Marcus Miller P7 bass, Miura Guitars’ M2 compressor/limiter, the Cusack Tap-A-Delay, the Neunaber Iconoclast, Red Hawk Effects’ Raven germanium/silicon Fuzz Face clone, the Mythos Pedals Chupacabra, Todd Sharp’s JOAT 20, the Matthews Effects Chemist, Sublime Guitars’ Chieftain Deluxe, and the Peterson StroboClip HD tuner. We’ve also got tablature transcriptions of three killer tunes (print only): Lynyrd Skynyrd’s “I Know a Little,” James Taylor’s “Fire and Rain,” and Umphrey’s McGee’s “Looks.”
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2017 Digital Issue 01 January
$3.99$0.99Our cover story this month looks at the intriguing story of how bizarre electric guitars came to be born behind the Iron Curtain despite the Soviet government’s ban on rock ’n’ roll, jazz, and other Western music during the ’60s, ’70s, and ’80s. We also dive deep on gear terminology in a comprehensive shopper’s guide that clarifies nomenclature often found confusing by both newcomers and long-timers alike as they shop for instruments, amps, and effects. Meanwhile, our artist interviews this month include former Sonic Youth frontwoman Kim Gordon, Dillinger Escape Plan’s Ben Weinman, David Crosby, Doyle Bramhall II, and Margaret Glaspy. As for gear reviews, this month we take a look at Fractal Audio’s AX8, the Ernie Ball Caprice 4-string, Boss’ GT-1 multi-effector, the Tsakalis AudioWorks Ocean reverb, MXR’s Shin-Juku Drive, Vick Audio’s Hypocenter Delay, Tech 21’s Bass Fly Rig, the Batson GC22 Americana flattop, the Godin Summit Classic CT Convertible, Hartke’s TX600, Jam Pedals’ Delay Llama Supreme, B.A. Ferguson’s Classic Class Shirley, and Greenchild’s G777.
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2016 Digital Issue 04 April
$3.99$0.99Looking for your next gear fix? Our cover story this month takes you inside the Winter 2016 NAMM show to give you a look at the most intriguing new guitars, basses, amps, effects, and accessories to keep your eyes peeled for at your local shop. Meanwhile, our review lineup assesses 13 new tone toys, including Fender’s Jimi Hendrix Strat, Warwick’s Adam Clayton signature bass, the MXR Carbon Copy Bright, Allen Eden’s 1987 solidbody, the Radial Headload, Ventura Valve Amplifiers’ VVA50, the Echopark F-1 Dual Germanium fuzz, Magnetic Effects White Atom, Bergantino’s B|Amp, and Tyyster’s Pelti 12-string. Our artist features this issue includechats with Stephen Carpenter and Chino Moreno of Deftones, Ben Harper, Wolfmother’s Andrew Stockdale, Lucinda Williams and Bill Frisell, jazz guitarist Liberty Ellman, and John Jorgenson. We’ve also got a roundtable discussion with Parliament-Funkadelic’s George Clinton and guitarists Michael Hampton (aka Kidd Funkadelic), Dewayne “Blackbyrd” McKnight, and Ricky Rouse about the seminal funk outfit’s history and the gear, techniques, and musical approaches on their R&B masterpieces. To top things off, we offer tips and tricks on how to create quality recordings on the go with your phone, tablet, or laptop.