2015 Premier Guitar
$47.88 $9.99
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2016 Digital Issue 01 January
$3.99$0.99Our cover feature this month taps the craniums of some of the most knowledgeable and esteemed pedal builders in the industry to serve up the story and gory visual glory on rare, weird stompboxes that inspired them. For both recording newbies and tracking vets, we survey the market of new and upcoming studio gear that’s specifically well suited to helping guitarists capture stellar audio at a variety of price points—from interfaces to apps, mics, and more. Artist interviews this month include Baroness frontman John Baizley, Dweezil Zappa, Mutoid Man’s Stephen Brodsky, DJ Williams, Caspian’s Philip Jamieson and Calvin Joss. We also take you inside Les Paul’s Big Sound Experience, a travelling exhibit making stops around the country. Gear reviews this month include Reverend’s Descent RA Baritone, the Jackson SLATXMGQ 3-6 Soloist, Faith’s Neptune acoustic, the Nace Amps Pro-18, Analog Outfitters’ Scanner, the Jordan Fuzztite, Fulltone’s 2B, Malekko’s Scrutator, the Demeter Bass 400, the Danelectro Baby Sitar, Wampler’s Low Blow, the Red Witch Zeus, and the Soundtwirl iOS app.
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2017 Digital Issue 01 January
$3.99$0.99Our cover story this month looks at the intriguing story of how bizarre electric guitars came to be born behind the Iron Curtain despite the Soviet government’s ban on rock ’n’ roll, jazz, and other Western music during the ’60s, ’70s, and ’80s. We also dive deep on gear terminology in a comprehensive shopper’s guide that clarifies nomenclature often found confusing by both newcomers and long-timers alike as they shop for instruments, amps, and effects. Meanwhile, our artist interviews this month include former Sonic Youth frontwoman Kim Gordon, Dillinger Escape Plan’s Ben Weinman, David Crosby, Doyle Bramhall II, and Margaret Glaspy. As for gear reviews, this month we take a look at Fractal Audio’s AX8, the Ernie Ball Caprice 4-string, Boss’ GT-1 multi-effector, the Tsakalis AudioWorks Ocean reverb, MXR’s Shin-Juku Drive, Vick Audio’s Hypocenter Delay, Tech 21’s Bass Fly Rig, the Batson GC22 Americana flattop, the Godin Summit Classic CT Convertible, Hartke’s TX600, Jam Pedals’ Delay Llama Supreme, B.A. Ferguson’s Classic Class Shirley, and Greenchild’s G777.
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2017 Digital Issue 06 June
$3.99$0.99This issue marks our foray into serving up three song transcriptions per issue (print edition only), with this month’s offerings including tablature for Jack White’s “I’m Shakin’,” Brent Mason’s “Hot Wired,” and the Allman Brothers Band’s “Little Martha.” Meanwhile, our cover story this month talks to gruesome shredder extraordinaire John 5 about his latest Fender Custom Shop Telecaster and the making of his new album, Season of the Witch, and other artist features include chats with British songwriting icon Robyn Hitchcock, psych-rock freaks King Gizzard and the Lizard Wizard, and Pallbearer’s Devin Holt and Brett Campbell. On the gear front, we’ve got a how-to on understanding and optimizing expression pedals in your rig, a bass-overdrive review roundup—which includes Tech 21’s SansAmp Bass Driver DI Version 2, Gallien-Krueger’s Plex, the Providence Brick Drive, and Two Notes’ Le Bass—and reviews of Electro-Harmonix’s Blurst, the Cusack Orthrus, TWA’s Hot Saké, Taylor’s Mini-e bass, the Carr Mercury V, Strymon’s Riverside, Mooer’s Ocean Machine, the Breedlove Premier Concerto, the Boss EV-30 expression pedal, Ibanez’s SRH505F bass, Seymour Duncan’s PowerStage 170, and Winfield’s Dust Devil combo.