2020 Digital Issue 10 October

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  2018 Digital Issue 02 February

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  Premier Guitar February 2018: Our cover story this month tackles the gargantuan task of highlighting the guitars, amps, and effects—and associated players—that epitomize the movements in rock ’n’ roll during each decade, going back to its birth in the 1950s. New artist interviews include chats with Joe Satriani, Dhani Harrison, Chelsea Wolfe, Bruce Cockburn, Victor Wooten, and Pat Martino. We also take a look at what everyday guitarists and bassists can do to be more mindful of the environment in their day-to-day habits as players. Gear reviews this issue include the Epiphone Les Paul SL, MXR’s Booster Mini, Epigaze Audio’s Civic Crown, the SoundBrut DrVa, Vox’s Adio Air BS, the Catalinbread Belle Epoch Deluxe, Warwick’s RockBass Corvette Basic 8, EarthQuaker Devices’ Data Corrupter, Martin’s 2017 D-28, the Boss MD-500, G&L’s Doheny, the API TranZformer LX, and ValveTrain’s Thunder/Train. We’ve also got three song tabs (print edition only): Maren Morris & Vince Gill’s “Dear Hate,” Mahavishnu Orchestra’s “Birds of Fire,” and Stevie Wonder’s “Superstition.”

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  2017 Digital Issue 06 June

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  This issue marks our foray into serving up three song transcriptions per issue (print edition only), with this month’s offerings including tablature for Jack White’s “I’m Shakin’,” Brent Mason’s “Hot Wired,” and the Allman Brothers Band’s “Little Martha.” Meanwhile, our cover story this month talks to gruesome shredder extraordinaire John 5 about his latest Fender Custom Shop Telecaster and the making of his new album, Season of the Witch, and other artist features include chats with British songwriting icon Robyn Hitchcock, psych-rock freaks King Gizzard and the Lizard Wizard, and Pallbearer’s Devin Holt and Brett Campbell. On the gear front, we’ve got a how-to on understanding and optimizing expression pedals in your rig, a bass-overdrive review roundup—which includes Tech 21’s SansAmp Bass Driver DI Version 2, Gallien-Krueger’s Plex, the Providence Brick Drive, and Two Notes’ Le Bass—and reviews of Electro-Harmonix’s Blurst, the Cusack Orthrus, TWA’s Hot Saké, Taylor’s Mini-e bass, the Carr Mercury V, Strymon’s Riverside, Mooer’s Ocean Machine, the Breedlove Premier Concerto, the Boss EV-30 expression pedal, Ibanez’s SRH505F bass, Seymour Duncan’s PowerStage 170, and Winfield’s Dust Devil combo.

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  2017 Digital Issue 01 January

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  Our cover story this month looks at the intriguing story of how bizarre electric guitars came to be born behind the Iron Curtain despite the Soviet government’s ban on rock ’n’ roll, jazz, and other Western music during the ’60s, ’70s, and ’80s. We also dive deep on gear terminology in a comprehensive shopper’s guide that clarifies nomenclature often found confusing by both newcomers and long-timers alike as they shop for instruments, amps, and effects. Meanwhile, our artist interviews this month include former Sonic Youth frontwoman Kim Gordon, Dillinger Escape Plan’s Ben Weinman, David Crosby, Doyle Bramhall II, and Margaret Glaspy. As for gear reviews, this month we take a look at Fractal Audio’s AX8, the Ernie Ball Caprice 4-string, Boss’ GT-1 multi-effector, the Tsakalis AudioWorks Ocean reverb, MXR’s Shin-Juku Drive, Vick Audio’s Hypocenter Delay, Tech 21’s Bass Fly Rig, the Batson GC22 Americana flattop, the Godin Summit Classic CT Convertible, Hartke’s TX600, Jam Pedals’ Delay Llama Supreme, B.A. Ferguson’s Classic Class Shirley, and Greenchild’s G777.