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2018 Digital Issue 02 February
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2016 Digital Issue 02 February
$0.99We all know the usual suspects when it comes to amps that bring the heavy, but for those who want something crazier—something more off the combat-boot-beaten path—our cover story takes a look at obscure amps that absolutely destroy. Meanwhile, PG Bass Bench blogger Heiko Hoepfinger takes us inside The Holy Grail Guitar Show, an annual gathering of top luthiers that’s fast becoming the most talked about and respected guitar-gear gathering in Europe. Artist interviews this month include Megadeth’s Dave Mustaine and Dave Ellefson, Shana Cleveland from wicked Seattle surf-rock outfit La Luz, flattop fingerstyle master Mark Goldenberg and jazz guru Eric Skye, Jazzmaster-wielding sonic agitator Ava Mendoza, and Tortoise’s Jeff Parker. Our latest Forgotten Heroes piece celebrates the amazing and irresistibly funky life of Kool & the Gang co-founder and bassist Robert “Kool” Bell. Gear reviews this month include the new PRS SE 277 baritone, the Ibanez Talman TM330, MXR’s new EVH 5150 Overdrive, the Carr Lincoln combo, Fender’s new Acoustic SFX amp, the Catalinbread Katzenkönig, DLS Effects’ RotoSPIN, Ampeg’s PF-50T, Mojo Hand Fx’s El Guapo, Providence’s Bass Boot Comp, the Siegmund Doppler Stereo combo, TC Electronic’s Hypergravity, DryBell’s Vibe Machine, Sire’s Marcus Miller signature 4-string, and a roundup of the latest loop-switchers from Boss, RJM Music, and Carl Martin.
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2018 Digital Issue 01 January
$0.99Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”
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2018 Digital Issue 03 March
$0.99Premier Guitar March 2018: Our annual Pro Pedalboards issue features an up-close and personal look at 10 boards from a range of players including the Fall of Troy’s Thomas Erak, Warpaint’s Emily Kokal and Theresa Wayman, Eric Gales, Nikki Monninger from Silversun Pickups, Mr. Big’s Billy Sheehan and Paul Gilbert, Larry LaLonde of Primus, and Dinosaur Jr.’s J Mascis. But that’s not all—we also take a look at a killer lineup of stomp stations from PG fans! On the interview front, this issue we chat with rockabilly legend Duane Eddy, blues-rock ripper Hannah Wicklund, and bass legend Lee Sklar. Gear-wise, we’ve got a cool DIY feature on simple guitar hacks that cost less than 12 bucks, and reviews of 13 guitar and bass gadgets, including Hagstrom’s new Fantomen 6-string, the Epiphone Embassy PRO bass, Electro-Harmonix’s Green Russian Big Muff, the Orange Fur Coat, Guild’s Jumbo Junior bass, the Fender Ed O’Brien Stratocaster, Nanolog Audio’s the WaveFunction, the Chellee Compy, Nolatone’s Club Master, the Lehle Mono Volume 90, Dunlop’s Geezer Butler Cry Baby wah, Seafoam Pedals’ Lighthouse, and Cloud Microphones’ Cloudlifter Zi DI. Lastly, we’ve also got transcriptions of three rad tunes (print edition only): Eric Johnson’s “Cliffs of Dover,” Deftones’ “My Own Summer (Shove It),” and jazz-great Jim Hall’s take on the classic Sonny Rollins tune “St. Thomas.”