Our annual “Pedal Issue” is one for the record books-literally: At 272 pages, it has been verified by Inquiry Management Systems, an independent publishing research firm, as the largest single issue of a US guitar magazine ever. It’s also the first PG ever to have four randomly distributed covers, each featuring a fully functional custom pedal with the issue’s cover lines printed directly on its face. (The pedals are a JAM Pedals RetroVibe, a DigiTech Whammy, a Diamond Pedals Halo Chorus, and an Electro-Harmonix Big Muff Pi, and you can enter to win them at premierguitar.com Oct. 19 through Nov. 16.) Inside, the issue is packed with 30+ stompbox reviews, three features-on Rolling Stone Ron Wood, Iron Maiden, and Zakk Wylde-a profile on “5 Boutique Stompbox Builders You Should Know,” a profile on Electro-Harmonix founder Mike Matthews, a wrap-up of Experience PRS 2010, and reviews of three guitars and two amps.
Premier Guitar January 2014: Our cover story this month takes you back in time to explore the history behind Marshall Amplification’s development of the world’s first 100-watt amp—which would forever change rock ’n’ roll by powering legendary acts such as the Who, Hendrix, Zeppelin, and more. We also talk to a variety of artists about their new releases this month, including Jonny Lang, A Perfect Circle’s Billy Howerdel and James Iha, and Jim Campilongo. Our builder profile this month is Born Custom Guitars from Broomfield, Colorado. And our 12 guitar and bass gear reviews this month include an exclusive new look at Blackstar’s new LT stompboxes, and in-depth tests of Fishman’s TriplePlay MIDI pickup system, ESP’s LTD EC-1000M Deluxe, the Zoom A3 acoustic processor, Reverend’s Pete Anderson PA-1 RT, the Andrews Amplification Spectraverb 40, Skreddy’s Little Miss Sunshine, the Matchless Thunderman bass head, and TWA’s Great Divide 2.0 pedal.
Premier Guitar August 2016: To kick off our annual Amp Issue, we’ve enlisted Tim Schroeder of Schroeder Amplification (whose clients include Nels Cline and Jeff Tweedy) to show you crucial things to consider before adding a previously owned amp to your arsenal. We also take you inside Hi-Tone Amplification, a Columbus, Indiana, outfit that’s making painstaking handwired clones of vintage Hiwatt amps with the exclusive endorsement of the family of the legendary U.K. brand’s late founder, Dave Reeves. We also review three new guitar amps—the EVH 5150 III LBX, Supro Black Magick, and Laney GH50R—as well as two powerful new bass rigs, Peavey’s MiniMEGA and Genzler’s Magellan 800. Our artist features this issue include chats with J Mascis and Lou Barlow from Dinosaur Jr., Jamie Hince and Alison Mosshart from bluesy avant-garage duo the Kills, Duke Erikson and Steve Marker of electro-pop outfit Garbage, seminal punk guitarist East Bay Ray of Dead Kennedys, and Jeremy Earl and Jarvis Taveniere from psych-folk band Woods. We’ve even got a lesson from senior editor Andy Ellis on how to adapt to the new techniques, tools, and fingerings needed to make a foray into the high lonesome aural wonderland of lap steel. Our review section is rounded out with looks at the PHred DockStar Flame Maple, Matthews Effects’ Astronomer reverb, Walrus Audio’s Vanguard phaser, the Chase Bliss Spectre flanger, Red Panda’s Bitmap, the Gretsch Streamliner G2622T, Fredric’s Deeply Unpleasant Companion, and the Providence Heat Blaster.
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