2022 Digital Issue 03 March

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  2017 Digital Issue 08 August

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  This time around our annual Amp Issue is yet again packed with speaker-pumping coolness, including a cover story on seven amazing off-the-beaten-path vintage amps, six amp reviews—Vox’s MV50 AC, Hughes and Kettner’s Grandmeister Deluxe 40, the Hilbish Design Beta, and Black Wing’s Screamin’ Eagle 50, as well as Traynor’s SB106 bass combo and Glockenklang’s bass head—plus a feature all about speaker basics, and a DIY project on building your own rotary-speaker cab. Artist interviews this month include chats with Deep Purple’s Steve Morse, one-woman band Tash Sultana, legendary bassist/producer Bill Laswell, Havok’s David Sanchez and Reece Scruggs, and Franklin James Fisher and Lee Tesche from punk-gospel outfit Algiers. Meanwhile, in the print edition, we’ve got song tabs for Soundgarden’s “Rusty Cage,” Tom Petty’s “I Won’t Back Down,” and Bob Marley’s “Redemption Song.” The rest of our gear-review section is rounded out by deep-dives on Trace-Elliot’s Transit-A acoustic multi-effector, Curtis Novak’s JM-WR Jazzmaster Widerange pickups, the Dunable Cyclops solidbody, Death by Audio’s Evil Filter, the Martin O-18, Electro-Harmonix’s Bass Clone, Newman Guitars’ 6-String, and Mu-FX’s Phasor 2X.

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  2017 Digital Issue 10 October

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  This month the world-famous phenomenon that is PG’s annual Pedal Issue manifests itself with—count ’em!—33 in-depth and insightful stompbox reviews, ranging from simple boosts and overdrives to fuzzes, switchers, freakazoid machines, and, of course, boxes just for bassists. Covered brands include mainstays like Boss, Way Huge, MXR, TC Electronic, and Carl Martin, newer boutique standouts like EarthQuaker Devices, Chase Bliss, and JHS, and stomps from impressive overseas outfits like Stone Deaf, Tsakalis AudioWorks, Rainger Fx. Rounding out our gear section, we also take a look at Gibson Custom’s Modern Doublecut Standard, the Supro 1685RT Neptune Reverb, and Schecter’s CV-4 bass. Artist interviews this month include chats with Sonic Youth icon Thurston Moore, blues-rock vet Robin Trower, acoustic polymath Molly Tuttle, and Mike Watt and Nick Reinhart from Big Walnuts Yonder. We’ve also got a historic piece on post-punk trailblazers Andy Gill (Gang of Four), Keith Levene (the Clash, PiL), and Gareth Sager (the Pop Group, Rip Rig + Panic, Head). Tablature transcriptions this month (print magazine only) are Ozzy Osbourne’s “Bark at the Moon,” Stevie Ray Vaughan’s “Lenny (Live),” and Ryan Adams’ “New York, New York.”

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  2017 Digital Issue 06 June

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  This issue marks our foray into serving up three song transcriptions per issue (print edition only), with this month’s offerings including tablature for Jack White’s “I’m Shakin’,” Brent Mason’s “Hot Wired,” and the Allman Brothers Band’s “Little Martha.” Meanwhile, our cover story this month talks to gruesome shredder extraordinaire John 5 about his latest Fender Custom Shop Telecaster and the making of his new album, Season of the Witch, and other artist features include chats with British songwriting icon Robyn Hitchcock, psych-rock freaks King Gizzard and the Lizard Wizard, and Pallbearer’s Devin Holt and Brett Campbell. On the gear front, we’ve got a how-to on understanding and optimizing expression pedals in your rig, a bass-overdrive review roundup—which includes Tech 21’s SansAmp Bass Driver DI Version 2, Gallien-Krueger’s Plex, the Providence Brick Drive, and Two Notes’ Le Bass—and reviews of Electro-Harmonix’s Blurst, the Cusack Orthrus, TWA’s Hot Saké, Taylor’s Mini-e bass, the Carr Mercury V, Strymon’s Riverside, Mooer’s Ocean Machine, the Breedlove Premier Concerto, the Boss EV-30 expression pedal, Ibanez’s SRH505F bass, Seymour Duncan’s PowerStage 170, and Winfield’s Dust Devil combo.