2020 Digital Issue 12 December

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  2016 Digital Issue 04 April

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  Looking for your next gear fix? Our cover story this month takes you inside the Winter 2016 NAMM show to give you a look at the most intriguing new guitars, basses, amps, effects, and accessories to keep your eyes peeled for at your local shop.
Meanwhile, our review lineup assesses 13 new tone toys, including Fender’s Jimi Hendrix Strat, Warwick’s Adam Clayton signature bass, the MXR Carbon Copy Bright, Allen Eden’s 1987 solidbody, the Radial Headload, Ventura Valve Amplifiers’ VVA50, the Echopark F-1 Dual Germanium fuzz, Magnetic Effects White Atom, Bergantino’s B|Amp, and Tyyster’s Pelti 12-string. Our artist features this issue includechats with Stephen Carpenter and Chino Moreno of Deftones, Ben Harper, Wolfmother’s Andrew Stockdale, Lucinda Williams and Bill Frisell, jazz guitarist Liberty Ellman, and John Jorgenson. We’ve also got a roundtable discussion with Parliament-Funkadelic’s George Clinton and guitarists Michael Hampton (aka Kidd Funkadelic), Dewayne “Blackbyrd” McKnight, and Ricky Rouse about the seminal funk outfit’s history and the gear, techniques, and musical approaches on their R&B masterpieces. To top things off, we offer tips and tricks on how to create quality recordings on the go with your phone, tablet, or laptop.

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  2017 Digital Issue 11 November

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  Whether you’re completely turned off by fuzz pedals or just brand-new to and overwhelmed by them, this month’s cover story demystifies this sometimes-confusing stompbox niche and explains how the right fuzz can stoke inspiration in any genre imaginable. On the artist front, we’ve got interviews with Wendy Melvoin (from the late great Prince’s band the Revolution), Metalocalypse mastermind Brendon Small, and bluesman Jonny Lang. We’ve also got a feature offering an insider’s perspective on recording guitar for film and TV soundtracks, as well as a primer on both how to play slide guitar, and the pros and cons of different slide types. Song transcriptions this month (print only) are Pink Floyd’s “Comfortably Numb,” Mastodon’s “Curl of the Burl,” and Fleetwood Mac’s “Oh Well (Part 1).” Meanwhile our gear-review section deep-dives on the Coppersound Foxcatcher, Guitar Pro 7, Outlaw Effects’ Deputy Marshal, Korg’s AW-LT100B bass tuner, the Headrush Pedalboard, Ashdown’s SZ Funk Face, Bigfoot Engineering’s King Fuzz XL, the Boss Acoustic Singer Live combo, the MOD Duo, Pinter’s SB1-J Jazz Jr., Allen Eden’s Disciple 5 bass, and the Keeley Compressor Plus.

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  2018 Digital Issue 01 January

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  Premier Guitar January 2018: Our cover story this month is a true treat for longtime fans of Radiohead: After decades of avoiding guitar interviews, Ed O’Brien steps out of the shadows to gratefully ruminate with PG about his journey in one of modern rock’s most celebrated—and confounding—bands. We also talk to funk bassist extraordinaire Bootsy Collins, blues badass Samantha Fish, Bloodclot’s Todd Youth (formerly of Danzig) and Nick Oliveri (previously of Queens of the Stone Age), and—in a double-whammy treasure—avant-garde guitarist Elliott Sharp interviews storied producer Peter K. Siegel about his work recording with Doc Watson and Roy Buchanan. On the gear front, this issue we have a feature all about the ins and outs of guitar necks—materials, construction, profile shapes, etc.—as well as 13 guitar and bass reviews, including the Gretsch Players Edition Broadkaster, Wooly Coats’ Spanky MkII, the Mayones Hydra, Baroni Lab’s Mini Amp 50, Traveler’s LTD EC-1, the Grez Mendocino, KHDK’s Abyss, Old Blood Noise Endeavors’ Fault, the Serek Midwestern 2, Mid-Fi Electronics’ Magick i, the RainSong CH-WS, and Rocket Surgeon’s Boris. In our print edition only, we also have transcriptions of Van Halen’s “Mean Street,” Doc Watson’s “Blackberry Blossom,” and King Crimson’s “21st Century Schizoid Man.”