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Master fingerstyle country guitar and learn the styles of the greatest country guitar players
Are you struggling to master country guitar and Travis picking? The Country Fingerstyle Guitar Method is the perfect way to master fingerpicking on the guitar.
Here’s what you will learn:
- Master every essential country guitar technique.
- Develop Travis picking, syncopation, and articulation.
- Effortlessly combine advanced chords, inversions, and bass lines.
- Learn the guitar Styles of Merle Travis, Chet Atkins, and Jerry Reed.
- Discover banjo rolls and the secret to effortless speed and fluency.
- Learn with tablature, notation, and hundreds of audio examples of authentic country guitar vocabulary.
Part One tackles the techniques needed to build confidence, speed, and articulation. You will cover the “pinch” technique, thumb picks, and alternating bass lines, syncopation, articulation, combining chord and bass lines, and soloing while holding down the chords and bass. You will become the perfect country guitar all-rounder with an excellent mastery of Travis picking.
Part Two takes a detailed look at the evolution of fingerstyle country guitar and studies the styles and idiosyncrasies of artists like Merle Travis, Chet Atkins, and Jerry Reed. Each artist’s approach is dissected and through multiple “in the style of” examples. You will gain great insight into how country guitar picking developed into the virtuosic style it has now become. You will discover harmony, part layering, harmonics, the “claw” technique, thumb picking, counterpoint, altered tunings, and much more.
Each technique and approach is combined into a musical study that gives real insight into the greatest country guitar players in the world, and put you on the way to developing your own unique style.
Here’s what you get:
- Over 100 pages of country picking essentials stuffed with 190 individually recorded examples so you can develop at your own pace.
- A complete course in country fingerstyle–from first rudiments to advanced techniques teaching you to play the country classics while developing your own personal style.
- Detailed discussion of thumb picks, tone, technique and the evolution of country guitar.
- Complete style-files of three of the greatest country fingerstyle guitarists.
- Every essential country chord, technique, bass line, lick and trick to get you playing the right way as quickly as possible.
Bonus! – A complete solo guitar study to consolidate your new skills and help you understand how to combine all the techniques included.
Buy it now to supercharge your country fingerpicking mastery.
The Perfect Resource for Any Country Guitar Player
Three Best-Selling Country Guitar Books in One Complete Volume
- Discover every essential country guitar chord.
- Master country guitar techniques like banjo rolls and hybrid picking.
- Learn and apply over 100 country guitar licks.
- Play exciting country guitar solos with authentic backing tracks.
- Discover every important country guitar scale in addition to learning the CAGED System.
- Master bends, slides, picking, legato, and much more!
The Complete Country Guitar Method Compilation is a collection of three best-selling books that teach the essential skills required to move from absolute basics to astonishing country guitar solos.
Here’s What You Get:
- Three best-selling books in one!
- 278 pages of traditional and cutting-edge country guitar essentials.
- Over 400 notated audio examples so you can hear how to play guitar.
- A complete breakdown and masterclass of every country guitar technique.
- Over 100 authentic “in the style of” country guitar licks.
You’ll be a country guitar picking pro in no time.
Book 1: Country Guitar for Beginners
Are you struggling to learn country guitar? This book covers the essential country chord voicings found in everything from cowboy ballads to western swing. There are plenty of country guitar secrets thrown in too so you’ll need to pay attention! Once you’ve learned these voicings, you will apply them by playing real country rhythm guitar.
Next, you’ll move on to develop a full range of scales, arpeggios and soloing approaches that can be applied to country music, preparing your fingers for the more technically demanding aspects of country guitar.
Book 2: Country Guitar Soloing Techniques
Have you ever wondered how great country guitarists effortlessly outline the chord sequences in their solos and never break a sweat? This book teaches you authentic country guitar soloing using the actual techniques of the masters.
With over 180 notated audio examples, every essential technique, scale and approach is dissected and developed into musical licks and exciting, flamboyant solos. From simple scales to triads and chromatic approach notes, the harmonic and theoretical aspects of soloing are broken down and rebuilt effortlessly into articulate solo lines that sound incredible. You’ll discover triads, Pentatonic scales, open string licks, hybrid-picking, banjo rolls, slurs and chromatic ideas that will quickly propel you to country guitar soloing greatness.
Book 3: Country Guitar Heroes – 100 Licks for Country Guitar
This goes way beyond every other lick book available. It’s a complete guitar method for country guitar that teaches you how to learn and internalize the language of the country guitar masters into your everyday playing.
The style and language of the 20 most genre-defining country guitar players are discussed and analyzed, along with five defining, “in the style of” guitar licks are given for each player.
Albert Lee | Brad Paisley | Brent Mason | Buck Owens/Don Rich | Chet Atkins | Danny Gatton | Eldon Shamblin | Glen Campbell | Hank Garland | James Burton | Jerry Donahue | Jerry Reed | Jimmy Bryant | Johnny Hiland | Keith Urban | Redd Volkaert | Roy Nichols | Steve Wariner | Vince Gill | Whit Smith
In addition to learning their essential country guitar language, you will also learn how to easily incorporate their country guitar licks into your playing.
You can’t afford to miss this incredible country guitar resource.
Single Note Permutations is a step towards developing fluent technique for combining pick and fingers. Here you’ll find more than 1,400 different exercises based entirely on permutations. You should condition your fingers to respond to the intuitive part of your brain when you are playing, not just what they can do by themselves.
If you want to get inspired, be original, and get away from your own clichés, this book is for you.
Guitarist, composer, recording artist, educator, and author Gustavo Assis-Brasil presents his third book about hybrid-picking technique. Recommended for intermediate to advanced guitarists, Hybrid Picking Lines & Licks is a collection of 284 modern phrases exclusively written for the pick and fingers combined.
Chapters include: Triads, Arpeggios, Pentatonics, Scales and Modes, Atonal, Intervallic, and Octave Displacement Lines and Licks.
“Welcome to a very splendid new book on hybrid picking! Essentially this is the “Swiss army knife” approach to picking technique, combining the advantages of fingerstyle and “regular” picking to facilitate all sorts of crazy stuff (wide interval leaps, open chord voicings, polyphony, you name it…) which would otherwise be unplayable. Hybrid Picking Lines & Licks For Guitar offers an abundance of new ideas for your delectation… Perhaps the coolest thing about the examples in here is that they’re not just technical exercises: the actual notes are interesting, too, so your fretting hand and musical ear are just as likely to benefit as your hybrid picking technique itself. I’m confident that any guitar player, regardless of his/her style and technique, will find something challenging and inspiring in the following pages. Nice one, Gustavo!” – Guthrie Govan
“Since working out of Gustavo Assis-Brasil’s Hybrid Picking books I’ve definitely been graced with new and creative approaches to the guitar. I’ve always been a fan of wide intervallic lines, as well as voice leading, and hybrid picking seems to be the perfect technique encompassing both those things and more. I’ve literally been inspired to write new music directly after spending a little time with his books daily. Getting the Lines & Licks book pushed things even further as far as creative lines are concerned. Having use of my other fingers while still holding the pick is an ingenious way to approach the guitar!” – Tosin Abasi (Animals as Leaders)
The original best seller! A complete method for combining pick and fingers.
“With Hybrid Picking For Guitar, Gustavo Assis-Brasil has created a hugely valuable resource, in terms of expanding both one’s technique and vocabulary. Also, the studies at the end of the book are beautiful pieces in their own right. I highly recommend it.” –Ben Monder
“Gustavo’s book is probably the most comprehensive study of hybrid picking I’ve seen. I highly recommend it to anyone interested in this technique.”–Brett Garsed
Premier Guitar March 2019: Stompbox junkies going into withdrawal since last year’s Pedal Issue should feel significantly sated this month, as we’ve both rounded up 16 pro pedalboards from across the stylistic spectrum that wowed us during our last year of Rig Rundowns, and collected photos and specs on 13 impressive boards from PG fans. In addition, our features section has talks with Jeff Tweedy and Hate Eternal’s Erik Rutan, as well as a profile of the late Stooges guitarist Ron Asheton. Meanwhile, our gear-review section takes in-depth looks at Bogner’s Ecstasy Blue Mini, Rocket Surgeon’s Codename: Black Hat, the Ashdown Tone Pocket, Way Huge’s Purple Platypus, the Heritage H-137SC, Third Man & Mantic’s Flex, the Balthazar Film Noir 50, Peavey’s MAX 150, the Takamine EF360SC TT, Damnation Audio’s Ugly Twin, Hughes & Kettner’s Black Spirit 200, the Komet K.O.D.A., and Trickfish’s Trilobite. Lastly, in the print edition (only), we have tablature transcriptions of Billy Idol’s “Rebel Yell,” Lamb of God’s “Redneck,” and the Hellecasters’ “The Claw.”
Premier Guitar February 2019: Our cover story this month takes a look at the fascinating journey of Ergon Guitars’ luthier Adriano Sergio from being a kid obsessed with woodworking to being an in-demand bassist, then a Navy SEAL, then touring road tech for metal giants, and, finally, to luthier of exquisite handmade instruments. Artist interviews this month include Muse’s Matt Bellamy, Richard Lloyd, John Butler, and Jack Pearson. Meanwhile, our gear-reviews section is packed with in-depth looks at the Electro-Harmonix Triangle Big Muff, Asher’s Hawaiian Junior Lap Steel, SoloDallas’ TSR4 Schaffer Replica Classic, the Zorg Small Basstar, Caparison’s Horus-M3 CC Courtney Cox signature model, BC Audio’s Bel Air 40, the Korora Audio Spira, ESP’s LTD GB-4 bass, Death By Audio’s Total Sonic Annihilation 2, the Breedlove Pursuit Concertina E, Dusky’s Hypatia, the Zeppelin Design Labs Quaverato, and Free the Tone’s Black Vehicle BV-1V. In the print issue (only), we also have tablature transcriptions of three tunes: Queen’s “Keep Yourself Alive (Live),” Lenny Breau’s arrangement of “Cannonball Rag,” and Coheed and Cambria’s “Here We Are Juggernaut.”
Premier GuitarJanuary 2019: Our cover story this issue is an interview with Adam “Nergal” Darski, frontman for influential extreme-metal outfit Behemoth, whose new albumI Loved You at Your Darkestis making waves for building on the band’s legacy of brutal music while also bucking trends held perhaps a bit too dear by the genre’s more hardcore adherents. In addition, we’ve also got in-depth talks with heavy-hitters such as Chan Marshall (aka Cat Power), MC5 legend Wayne Kramer, Slash and Myles Kennedy, and Larkin Poe’s Megan and Rebecca Lovell. On the gear front, we’ve got an in-depth look at the history of the mighty Tone Bender fuzz, as well as 13 guitar and bass reviews: Seymour Duncan’s Fooz Analog Fuzz Synth, MXR’s 5150 Chorus, the Carr Telstar, the Squier Contemporary Jazz HH, Ananashead’s Meteorite, Sadowsky’s MetroExpress, the Boss TU-03, Hotone’s Binary Eko, the Dophix Nettuno, Eastman’s V64 semi-hollowbody, Dunable’s SplatterBlaster, the Tone King Sky King, and the Mattoverse Electronics Inflection Point. In the print edition (only), we’ve also got full transcriptions of The Sword’s “Winter’s Wolves,” Joe Bonamassa’s “Love Is a Gamble,” Tommy Emmanuel’s rendition of “Rudolph the Red-Nosed Reindeer.”
Premier Guitar December 2018: Heralding the end of another killer year in gear, this month we recap the 78 guitar and bass products that blew our minds in 2018—from instruments and amps to stompboxes, rack gear, pickups, accessories, and more. We’ve also got feature interviews with heavyweights like former Rage Against the Machine and Audioslave guitarist Tom Morello, garage-rock icons Mark Arm and Steve Turner from Mudhoney, Sleep and High on Fire frontman Matt Pike, and Reeves Gabrels talking about the late great David Bowie’s request for Gabrels to re-record the 1987 Bowie album, Never Let Me Down. We also talk to bass virtuoso MonoNeon about the string of sessions fueling his rising star—including his work with Prince before the legendary bandleader’s untimely 2016 death. New guitar and bass gear reviews this month include a look at the 2019 Gibson Les Paul Standard, the Fractal Audio Systems Axe-Fx III, Vox’s Mini Superbeetle, Acoustic’s B100C bass combo, the Chase Bliss Audio Thermae, the Paradox Effects Terran, Fano’s JM4 Standard bass, Cusack Music’s Resound Reverb, the Fishman Matrix Infinity Blend, Mackie’s FreePlay Live, the String Theory EFX KE/64, and more. In the print edition (only), we’ve also got tablature transcriptions of Avenged Sevenfold’s “Roman Sky,” Bob Dylan’s “Don’t Think Twice, It’s All Right,” and Buddy Guy’s “Damn Right, I’ve Got the Blues.”
Premier Guitar November 2018: In our cover story this month, Lzzy Hale and Joe Hottinger from hard-rock sensation Halestorm talk about their favorite gear and the process of writing for and recording their latest album, Vicious. Other artist interviews include a chat with punk legend James Williamson (formerly of the Stooges), rising classic-rock revivalists Sam and Jake Kiszka from Greta Van Fleet, and Cedric Burnside, son of blues god R.L. Burnside. Gear coverage this issue includes a comprehensive historical feature on vintage modulation effects by British gear guru Tony Miln, as well as 13 guitar and bass reviews, including the Mesa/Boogie Fillmore 50, Electro-Harmonix’s OpAmp Big Muff, the Marshall Origin 50C, SviSound’s RetroZoid Germanium Fuzz, the Fender Rumble Studio 40, ValveTrain’s PowerTrain Studio 20, the Nutter Guitars Astro Captain, Alexander Pedals’ Colour Theory, Greer Amps’ Tomahawk Deluxe, the ZT Lee Ranaldo Club, Malekko Heavy Industry’s Thicken, the Orange Terror Bass and OBC112, and the Marco N1 4-string.
In the print magazine only, we’ve also got 6-string transcriptions of three tunes: Deep Purple’s “Space Truckin’,” Guns N Roses’ “Mr. Brownstone,” and Cam’s “Burning House.”